Once Again, War Is Prime Time and Journalism’s Role Is Taboo
MEDIA, 5 Dec 2011
John Pilger – TRANSCEND Media Service
On 22 May 2007, the Guardian’s front page announced: “Iran’s secret plan for summer offensive to force US out of Iraq.” The writer, Simon Tisdall, claimed that Iran had secret plans to defeat American troops in Iraq, which included “forging ties with al-Qaida elements”. The coming “showdown” was an Iranian plot to influence a vote in the US Congress. Based entirely on briefings by anonymous US officials, Tisdall’s “exclusive” rippled with lurid tales of Iran’s “murder cells” and “daily acts of war against US and British forces”. His 1,200 words included just 20 for Iran’s flat denial.
It was a load of rubbish: in effect a Pentagon press release presented as journalism and reminiscent of the notorious fiction that justified the bloody invasion of Iraq in 2003. Among Tisdall’s sources were “senior advisers” to General David Petraeus, the US military commander who in 2006 described his strategy of waging a “war of perceptions… conducted continuously through the news media”.
The media war against Iran began in 1979 when the west’s placeman Mohammad Reza Shah Pahlavi, a tyrant, was overthrown in a popular Islamic revolution. The “loss” of Iran, which under the shah was regarded as the “fourth pillar” of western control of the Middle East, has never been forgiven in Washington and London.
Last month, the Guardian’s front page carried another “exclusive”: “MoD prepares to take part in US strikes against Iran”. Again, anonymous officials were quoted. This time the theme was the “threat” posed by the prospect of an Iranian nuclear weapon. The latest “evidence” was warmed-over documents obtained from a laptop in 2004 by US intelligence and passed to the International Atomic Energy Agency (IAEA). Numerous authorities have cast doubt on these suspected forgeries, including a former IAEA chief weapons inspector. A US diplomatic cable released by WikiLeaks describes the new head of the IAEA, Yukiuya Amano, as “solidly in the US court” and “ready for prime time”.
The Guardian’s 3 November “exclusive” and the speed with which its propaganda spread across the media were also prime time. This is known as “information dominance” by the media trainers at the Ministry of Defence’s psyops (psychological warfare) establishment at Chicksands, Bedforshire, who share premises with the instructors of the interrogation methods that have led to a public enquiry into British military torture in Iraq. Disinformation and the barbarity of colonial warfare have historically had much in common.
Having beckoned a criminal assault on Iran, the Guardian opined that this “would of course be madness”. Similar arse-covering was deployed when Tony Blair, once a “mystical” hero in polite liberal circles, plotted with George W. Bush and caused a bloodbath in Iraq. With Libya recently dealt with (“It worked,” said the Guardian), Iran is next, it seems.
The role of respectable journalism in western state crimes — from Iraq to Iran, Afghanistan to Libya – remains taboo. It is currently deflected by the media theatre of the Leveson enquiry into phone hacking, which Daily Telegraph’s Benedict Brogan describes as “a useful stress test”. Blame Rupert Murdoch and the tabloids for everything and business can continue as usual. As disturbing as the stories are from Lord Leveson’s witness stand, they do not compare with the suffering of the countless victims of journalism’s warmongering.
The lawyer Phil Shiner, who has forced a public inquiry into British military’s criminal behaviour in Iraq, says that embedded journalism provides the cover for the killing of “the hundreds of civilians killed by British forces when they had custody of them, [often subjecting them] to the most extraordinary, brutal things, involving sexual acts… embedded journalism is never ever going to get close to hearing their story”. It is hardly surprising that the Ministry of Defence, in a 2000-page document leaked to WikiLeaks, describes investigative journalists -journalists who do their job – as a “threat” greater than terrorism.
In the week the Guardian published its “exclusive” about Ministry of Defence planning for an attack on Iran, General Sir David Richards, Britain’s military chief, went on a secret visit to Israel, which is a genuine nuclear weapons outlaw and exempt from media opprobrium. Richards is a highly political general who, like Petraeus, has worked the media to considerable advantage. No journalist in Britain revealed that he went to Israel to discuss an attack on Iran.
Honourable exceptions aside – such as the tenacious work of the Guardian’s Ian Cobain and Richard Norton-Taylor – our increasingly militarised society is reflected in much of our media culture. Two of Blair’s most important functionaries in his mendacious, blood-drenched adventure in Iraq, Alistair Campbell and Jonathan Powell, enjoy a cosy relationship with the liberal media, their opinions sought on worthy subjects while the blood in Iraq never dries. For their vicarious admirers, as Harold Pinter put it, the appalling consequences of their actions “never happened”.
On 24 November, International Day for the Elimination of Violence Against Women, the feminist scholars Cynthia Cockburn and Ann Oakley, attacked what they called “certain widespread masculine traits and behaviours”. They demanded that the “culture of masculinity should be addressed as a policy issue”. Testosterone was the problem. They made no mention of a system of rampant state violence that has rehabilitated empire, creating 740,000 widows in Iraq and threatening whole societies, from Iran to China. Is this not a “culture”, too? Their limited though not untypical indignation says much about how media-friendly identity and issues politics distract from the systemic exploitation and war that remain the primary source of violence against both women and men.
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John Pilger has won an Emmy and a BAFTA for his documentaries, which have also won numerous US and European awards, such as as the Royal Television Society’s Best Documentary. His articles appear worldwide in newspapers such as the Guardian, the Independent, the New York Times, the Los Angeles Times, the Mail & Guardian (South Africa), Aftonbladet (Sweden), Il Manifesto (Italy). He writes a regular column for the New Statesman, London. In 2001, he curated a major exhibition at the London Barbican, Reporting the World: John Pilger’s Eyewitness Photographers, a tribute to the great black-and-white photographers he has worked alongside. In 2003, he was awarded the prestigous Sophie Prize for ’30 years of exposing injustice and promoting human rights.’ In 2009, he was awarded the Sydney Peace Prize. His latest film is The War You Don’t See (2010), which was premiered in London both in the cinema and on telelvision.
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